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In this essay it is drawn the relation between death and eroticism presented in the stories of Germán Espinosa. The erotic feeling that means the imminence of the end of times, Thánatos’ idea as the central theme of difference between human being and his animal environment, holiness expresses in denial and brought to life in the mockery of prohibitions; these are one of the main vectors of the work of this Colombian writer. This is why voluptuousness of daily characteristics of denied instinct establishes the dimensions of the characters half way of the profile which belongs to the world that doesn’t deserve to be told and the big dimension of the horrible inside that justifies what provoke fiction, horrible inside described as a legend: death which can seduce because of denied skin, substance of imagination that when is exposed it will be the shine of the inevitable blade that goes into action. Heads rolling around and endings of stories that doesn’t mean a sentence but maybe the finish of an anguish touched by a carnival that doesn’t belong to literature.

Orfa Kelita Vanegas, Universidad del Tolima

Profesora de Literatura de la Universidad del Tolima, Magíster enLiteratura de la Universidad Tecnológica de Pereira. Autora del libro La estética de la herejía en Héctor Escobar Gutiérrez, (Universidad Tecnológica de Pereira, 2007). Integrante del grupo de investigación sobre Literatura Regional y Colombiana de la Maestría en Literatura de la Universidad Tecnológica de Pereira. Vinculada a Colciencias en el Grupo de investigación de Literatura Colombiana. Coordinadora del grupo de investigación en Didáctica de la Literatura de la Universidad del Tolima

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