Sab Taste? To know. Know? sabotage

Abstract

The following assumes the challenge of an appreciative reading of the novel Sab Gertrudis Gómez de Avellaneda, considering it the elements that lie in the romantic text condition and the detachment of the features that allow us to understand the relationship of the work with investments in both value, destination and drama, it is exceptional that takes as its title the name of a subalternized, subsumed and determined by the stigma of impurity man. This study contributes to the learning process of the Caribbean as a space for the synthesis and subversion  that would determine the order or change the relational key proposals by the European expansionism and is hinged to the work as a researcher I assumed making literary archaeologies that establish the relation of the American Romantic with the construct of otherness, the abolitionist speeches and the representation of africanías and pervivientes evident africanidades and masked both insular and continental Latin America. Thus, the following is the synchronous and detailed reading of a work in which slaves and women united in the divine subject.